在長洲隱密的角落裡，時間似乎暫停了匆忙的步伐，在五月平日的一個下午，筆者前往駐港法籍藝術家 chaussette b. 的工作室。這已是筆者第二次到訪她的工作室，同樣作為法國五月藝術節的焦點項目之一，chaussette b.最新的沉浸式藝術展覽「Anchor et encore」以她獨特的創作方式，以畫作和巨型紡織雕塑，傳達她對記憶和身體意識的探索。她以回憶為主題，向觀眾分享她對情節記憶的深入研究。我們如何選擇記住某些生活事件，而遺忘其他事件呢？那些過去的碎片如何在無形中塑造了我們的身份？

chaussette b. 出於對理解她搖搖欲墜的記憶的運作方式的無盡渴望，開始了這項為期兩年的藝術創作。 透過創作過程，她試圖挖掘過去的碎片，將它們編織在一起，嘗試「修補」自我。 她分享道：「之前的展覽主要圍繞著我的個人旅程展開，總是圍繞『me ,me, me 』，去嘗試修補自己的某處，但這是次展覽，我渴望邀請觀眾進入我的世界，感我所感，讓我的藝術在短暫停留的觀者的心靈和思想中產生迴響。」

# Videography Credit to Justun Jim @ The Loft Collective

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# onstage ‧ Interview | The Garden of Memories: chaussette b - "Anchor et encore"

Driven by an insatiable desire to comprehend the workings of her faltering memories, chaussette b. embarked on a two-year artistic endeavor. Throughout the creative process, she attempts to unearth the fragments of the past, weaving them together in an effort to "mend" herself. She shares, "Previous exhibitions revolved mainly around my personal journey, always centered on 'me, me, me,' attempting to mend some part of myself. However, in this exhibition, I long to invite the audience into my world, to feel what I feel, allowing my art to resonate within the hearts and minds of transient spectators."

# Videography Credit to Justun Jim @ The Loft Collective

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